I’m a Cyborg, but That’s OK brings together five artists whose practices reconsider the human not as a stable or complete condition, but as something fragmented, suspended, and continually shifting. Across installation, painting, moving image, and sculptural forms, the exhibition explores states of stillness, opacity, and non-functionality, where bodies drift between the organic, the machinic, and the dreamlike. Rather than seeking repair or resolution, the exhibition embraces ambiguity as a mode of existence. The participating artists construct spaces where care replaces correction, and where vulnerability, repetition, and unresolved presence are allowed to persist. Within these works, to remain unfinished or uncertain is not framed as failure, but as another way of being in the world.

Between the Breath of Objects brings together five artists whose practices reconsider objects not as fixed forms, but as shifting presences shaped through touch, perception, technology, and time. Across painting, installation, moving image, and wearable structures, the exhibition explores how matter, bodies, and environments become entangled, tracing moments where objects seem to breathe, resonate, and transform within space. Rather than treating objects as passive entities, the exhibition approaches them as relational formations that emerge through interaction, memory, and duration. Digital interfaces, atmospheric landscapes, wearable forms, and mediated images unfold as unstable conditions rather than stable representations. Through distinct yet interconnected practices, the participating artists reveal how physical and virtual realities overlap, and how perception continually reshapes the boundaries between materiality, presence, and lived experience.

After the Face invites artists to reconsider the face not as a stable marker of identity, but as a shifting interface shaped by visibility, mediation, and perception. Through painting and image-based practices, the exhibition brings together four artists who explore how subjectivity persists when recognition falters, tracing new visual languages in which presence emerges through fragmentation, opacity, and transformation rather than fixed representation.